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shakespearean:

Would love to see an analysis of Beatrice and Benedick. Someone make a clever graph for Much Ado! The Oberon/Puck, Viola/Olivia stats don’t surprise me and are probably backed by some fanfic out there in the interwebs.

fuckyeahgreatplays:

FiveThirtyEight was surprised to find, via computer analysis, that Romeo and Juliet speak less to each other than to other characters.

I’m blaming Romeo for this lack of communication. Juliet speaks 155 lines to him, and he speaks only 101 to her. His reticence toward Juliet is particularly inexcusable when you consider that Romeo spends more time talking than anyone else in the play. (He spends only one-sixth of his time in conversation with the supposed love of his life.)

The plays with the most connected lovers seem to be the ones with strong women: “The Taming of the Shrew’s” fiery Katharina, “Macbeth’s” homicidal Lady Macbeth, “The Merchant of Venice’s” brilliant Portia, and “Antony and Cleopatra’s” seductive and defiant Cleopatra. In general, Shakespeare’s female lovers lavish a larger share of their lines on their men than the men do on them. This is true not just of “Romeo and Juliet,” but of “Macbeth,” “The Taming of the Shrew” and all four couples in “A Midsummer Night’s Dream.” The only real exceptions, tellingly, occur in the plays where the women pose as men: “Twelfth Night” and “The Merchant of Venice.” (Antony and Cleopatra spend roughly equal shares of lines on each other.)

The whole article is a fascinating read. There’s even an nifty set of interactive graphs.

Filmmaker 1440: Film Production Resource Guide and Directory

thefinalimage:

Attention all ye filmmakers of Tumblr! It’s with great pleasure that we present to you the Filmmaker1440…

For the past few months, The Final Image has been combing through the internet in search of the most useful film sites out there. With 100+ links in 20 categories, the Filmmaker1440 features a little something for everybody.

So check it out. New resources and categories are added weekly, so send us over some suggestions. And as always, get to work on the images you were born to create!

The Sonnets by William Shakespeare on the App Store on iTunes - Discount For Shakespeare Week

shakespearean:

To Celebrate Shakespeare Week there’s a 70% discount on The Sonnets App.

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The Sonnets presents William Shakespeare’s immortal collection of love poems in an interactive digital edition that allows you to explore, appreciate and understand this great work of literature as never before. All 154 sonnets are performed to camera by a star-studded cast including Sir Patrick Stewart (Star Trek, X-Men, Royal Shakespeare Company), David Tennant (Dr Who, Hamlet), Kim Cattrall (Sex and the City), Fiona Shaw (The Waste Land, Harry Potter), Stephen Fry (The Hobbit) and Dominic West (The Wire). These performances – all specially filmed for the app – are synchronised to the text, which highlights line by line as each sonnet is spoken.

scenicdesign:

Today scenic design is taught and classified into two types… Box Sets & Unit Sets.

I would like to propose additional scenic design classifications (which can be viewed above and are listed below).  Each week I will focus on a different classification.  Some of these can be combined and could be debated that some of these “classifications” are the same but, by redefining the terms we use designers, artists and theater practitioners we can further understand what scenic design is, can be and will be as theater progresses further.  

Got a question, comment, thought?  Hate it?  Love it?  Think I’m a fool? Got something to contribute?  I want to hear from you!  Let’s get a discussion going!

Atmospheric:  Tartufe” - Katrin Brack

Box: “Venus in Fur” – John Lee Beatty

Green: “Bloody Bloody Andrew Jackson” – Donyale Werle

Digital: “The Magic Flute” - Esther Bialas

Found Space: “The Drowned Man” – Felix Barrett, Livi Vaughn & Beatrice Minns

Installation: “Death of a Salesman” – Narelle Sissons

Light: “Passing Strange” – David Korins

Material:  “Don Giovanni” – Frank Gehry

Motion Based: “Replacement” - Barbara Ehnes

Unit: “Ragtime” – Derek McLane

Follow me at www.scenicdesign.tumblr.com for more updates, photos and scenic design…

Bryce Cutler

18 Things Women Shouldn’t Have To Justify

1. Putting themselves first. When Barbara Walters asked Michelle Obama if it were selfish that she openly makes herself her first priority she responded: “No, no, it’s practical…. a lot of times we just slip pretty low on our own priority list because we’re so busy caring for everyone else. And one of the things that I want to model for my girls is investing in themselves as much as they invest in others.”

2. How little or much they’re eating, especially if it’s “unhealthy.” You can eat a big lunch without having to say “I haven’t eaten anything all day” or have some delicious ass nachos without saying “I totally deserve this, I was so good this week, I’ll start the diet again tomorrow.” More importantly, you shouldn’t have to always be interrogated with “that’s all you’re having?” or “you’re going to eat all that?!”

3. Healthy eating as a means of actual health, not weight loss, because for some reason, people tend to be skeptical that a woman could actually just want to treat her body right and not be perpetually concerned with her size.

4. Not having baby fever. You aren’t more or less of a woman– or person– if having a child isn’t for you now or ever. You shouldn’t have to back it up with the reasons you’re not maternally inclined but will maybe consider it down the road because “who really knows– maybe someday!” when you do really know that you don’t want kids but don’t want to be glared at like a heartless monster.

5. Having baby fever. Nobody should have to face a flurry of interrogative questions when they proclaim that they do indeed want to have children young, because it’s just as acceptable to feel that way as it is the alternative. If you want to travel, you’ll travel. If you want to pursue a career in addition to motherhood, pursue you shall. As long as you are aware of the implications, no further justification to other people who don’t feel the same way is needed.

6. Whether or not they’re having sex, and to what degree. There doesn’t have to be a reason that you slept with so-and-so, and you don’t have to feel obligated to give an excuse for why you’ve been celibate.

7. Enjoying what would otherwise be called guilty pleasures because they’re “girly” things. They don’t have to be “guilty” pleasures, they can just be pleasures. You can enjoy getting your nails painted and wearing a skirt and re-watching 13 Going On 30 a thousand times without floundering in stereotypes.

8. “Looking like shit today.” Whenever a woman leaves the house looking anything less than airbrushed and runs into someone they know, they tend to feel the need to apologize for it. You don’t have to apologize to someone else for not being a certain way, you have to apologize to yourself for feeling like you had to in the first place.

9. Experimenting with sexuality. It doesn’t have to be because you were “lost and confused” or just “a wild crazy girl in college.” If you made out with a girl at a party because it was the cool thing to do, fine, if it was more than that, just call it for what it was.

10. Weight, because size actually does not determine what “a real woman” is or not.

11. Amount of makeup worn on any given day. If you want to rock it au naturale, you do that, you beautiful little thing, and if you want to work it like you’re in a drag show, you can do that too. Your face. Your rules.

12. Sometimes conventionally frowned upon clothing choices. You don’t have to say you wear leggings “because they’re so comfortable” or a really short dress because you’re just “being crazy tonight.” These things require no explanation, and you shouldn’t let other people pressure you into feeling as though they do.

13. Being upset about something that warrants an emotional response. You don’t have to apologize for feeling something or acting out on it if it’s real to you. The people who judge you for being a human being, and not being ultimately demure and emotionless and in your place, are the ones who need to apologize.

14. Moving for a relationship if one is invested and ready… or just putting a relationship first if it’s a healthy and happy thing or something you want/need to work on. There’s a big difference between being dismissive and walked on and stepping up and taking part as an equal in a relationship, a role that usually requires compromising and effort.

15. Wanting to get married young.

16. Not wanting to get married young.

17. Attractiveness despite something. You don’t have to justify your so-called-imperfections with that which you like about yourself– you aren’t attractive because you have great hair despite being a little overweight. You can be attractive without fitting into social conventions of it. The beauty continuum scale was constructed to make us all feel like shit and buy a lot of products to fix that. But beautiful is as beautiful does.

18. Passing social deadlines for things. Who cares if you’re 35 and as single as you were 15 years ago? Life doesn’t start when someone or something comes along and then society says it can. You don’t have to make excuses as to why you aren’t married or with child or working a traditional 9-5. Our lives weren’t meant to be scripted the same way. When you adopt someone else’s narrative, it’s because you aren’t hearing your own clearly enough.

BRIANNA WIEST (via molila)

Oh my gosh THIS THIS THIS I am printing it out and sticking it on my god damn wall and reading it to myself EVERY DAY

(via oparu)

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